The film tells the love story between Anna and José, while at the same time approaches the intersections of urban violence and artistic creation, nature and civilization, war and peace, life and death, abandon and union, showing that in the end of our path we are still coping with mystery, emptiness and transcendence.

Young-hee visits a peaceful seaside village after losing husband and son meets Jun-woo who also comes to the village for 6-weeks rest after going through retirement and wife’s affair. One late night, Jun-woo who’s suffering insomnia sleep walks into sea, but Young-hee saves him. Young-hee notices Jun-woo’s broken heart and tries to help him by taking care of his summer cottage. Despite the different background, they slowly get closer and classic music becomes an instrument connecting hearts of these two lonely and hurt souls.

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A slow-motion study by Norman McLaren of the pas-de-deux adagio, one of the most exacting and difficult dances of classical ballet. A ballet originally choreographed by the Russian ballet master Asaf Messerer is performed for this film by the internationally known Canadian pair, David and Anna Marie Holmes, to the music of Albinoni’s Adagio. A film to heighten the aesthetic appreciation of classical ballet and to afford observation of the technique and mechanics of the adagio movements.

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One day in the life of the girl Lena, looking for reasons (not) to get acquainted with men, (not) to have a family and children, (not) to love.